The Upward Slur (Hammer-On, Ascending Ligado)
Slurs are fun. They are easy to do and open up all sorts of new musical possibilities.
The slur is a means of linking one note to another in a way that sounds smoother
than playing each note separately. Upward slurs are known colloquially as hammer-ons,
and downward slurs as pull-offs, for reasons that will become obvious.
First let’s learn the upward (hammer-on) slur. What we want to do is to link
two notes together where the second is higher in pitch than the first.
For example, let’s move from the open top string to the note one fret above:
The curved line between the two notes shows how slurs are written in both tablature
and standard notation. To play this example, first play the open first string, then
hammer the left-hand first finger down to sound the note at the first fret. Because
the first fret is played only with the left hand, it is necessary to bring the finger
down smartly with enough force to sound the note. Notice that the two notes sound
linked together compared with the two notes played separately by the right hand.
Try doing it both ways to hear the effect.
Remember these technique points:
- The hammer must be strong enough to sound the second note clearly.
- The finger that hammers starts from a point not too far from the string,
not more than 1/2 to 3/4 inch. Otherwise you could miss the string, or at least
the exact point that you want to strike. You will get the best sound hammering
just behind the fret.
- Hammer with the tip of the finger, not the side.
Now try from one fret to another instead of just slurring from the open string.
Put the left-hand first finger on the F at the first fret. Play the note, then
hammer firmly with the third finger. Practice until you hear two distinct sounds.
Now try practicing this exercise. When you see the number 5 in the tablature
simply slide the third finger up to it, and then back to the 3. We’ll be learning
more about positionchanging soon.
Upward Slur Exercise